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From “A Parliament of Flesh: Reclaiming the Body through Erotic Expression” [by Andrea Applebee]
For Tupelo Quarterly, Andrea Applebee interviewed Bea, the Turkish born American artist, whose work can be viewed here. She says, "I use erotic themes—nudity, the female gaze, the female body, landscapes of desire—but I…
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From “A Parliament of Flesh: Reclaiming the Body through Erotic Expression” [by Andrea Applebee]
For Tupelo Quarterly, Andrea Applebee interviewed Bea, the Turkish born American artist, whose work can be viewed here. She says, "I use erotic themes—nudity, the female gaze, the female body, landscapes of desire—but I…
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The New York School Diaspora (Part Thirteen): James Cummins [by Angela Ball]
Ode to Sycamores Not helplessness;But a sort of timelessness,The understandingThat will can only take you so far.You leave behind lustThat caused you to deceive each otherWith whispers of mutualityWhen need was only singular;Now the…
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The New York School Diaspora (Part Thirteen): James Cummins [by Angela Ball]
Ode to Sycamores Not helplessness;But a sort of timelessness,The understandingThat will can only take you so far.You leave behind lustThat caused you to deceive each otherWith whispers of mutualityWhen need was only singular;Now the…
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Parmigianino and His Poets [by Mindy Aloff]
Francesco Mazzola, called Il Parmigianino (1503–1540) Schiava Turca, c. 1531–34 Oil on panel 26 3/4 x 20 7/8 inches Galleria Nazionale di Parma Photo: Scala/Art Resource, NY When, back in college, I first encountered…
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Parmigianino and His Poets [by Mindy Aloff]
Francesco Mazzola, called Il Parmigianino (1503–1540) Schiava Turca, c. 1531–34 Oil on panel 26 3/4 x 20 7/8 inches Galleria Nazionale di Parma Photo: Scala/Art Resource, NY When, back in college, I first encountered…
